Check to try this instruction if you want to add subtitles to your videos instead! We’ll be delving into Type Tool usage in this part. ![]() To ensure your Premiere creation is precisely the way you want it, you can customize everything inside the application, ranging in color, size, text, and animation. How to add text on Adobe Premiere: A Guide And you can add, alter, and customize text and titles with Adobe Premiere Pro CC to accomplish everything you require them to in your film. This is crucial not only when discussing the text, but also when discussing the conversation, cinematography, colors, and graphics. Every frame of your movie matters, and as a video editor, you know that every detail you add to the finished output must advance the plot. Notice by targeting the different zones of color, we're able to aesthetically manipulate the shot and really bring our subject to life.How to add text on Adobe Premiere? When it comes to movies, text may be an effective instrument. A little vignette with a gentle feather and refine the midpoint, and your eyes clearly know where to look. In this case, by de-emphasizing the trees and emphasizing the iguana, we've really brought him to life so he's more discoverable. Plus you still have control of things like highlights and contrast. Remember, this level of flexibility goes a long way letting you refine the transformation. And look at how it targets just that change. And for the iguana themselves, we'll just click on the reds here and make that area more saturated and perhaps a little brighter. Hue versus hue, let's me transform the hue and now hue versus saturation will let me take a little bit out, making it less saturated. And because things that get darker tend to be more saturated, we'll just strip out a little bit of saturation there in the greens. I'll select a little more and just darken down the leaves. So, with our curves, let's do hue versus luma. Our iguana is basically lost in the trees but we can bring him out. Now let's take a look at another example. We'll fill in the vignette there and feather and that's such a huge transformation in the color and proper exposure. Or we can say from fully saturated to less saturated, let's ramp that saturation up as you get to the end here like such, letting us really control the distribution with a Brilla custom vibrance adjustment. And notice there how we restored saturation in the highlights and shadows but left the midtones relatively alone. In the real dark areas, let's get less color or more. So in the real bright areas, let's get more color. Plus with these global curves, we can make a change, luma versus saturation. Using hue versus luma, I'll just add some control points here in the greens and lift up to brighten the green trees. Let's do the same for a little bit more red in the tree trunk. Click on the green and I'm going to bring out more green just holding on the shift key as I drag up. ![]() Again click on the blue and if needed, add more points and you can refine and transform the blue. ![]() If you want to darken the blue, just use hue versus luma. If needed, you can scroll this and add a couple of control points to put in more blue. Click on the blue and just increase the saturation of the blue. So with curves, we're going to say hue versus saturation. Now what I want to do is bring out the colors. Recover the highlights, put a little contrast in, lift the shadows. Now I did it pretty elaborately but it's not that hard if you break it down. You'll notice that was done using a series of curves adjustments. In this case, I felt like the sky was kind of washed out and the colors weren't quite there but with a little fix, we're able to really bring back lifelike color. Well, with the curves, it's really easy to target these for refinement. Maybe the grass needs to be greener, the sky bluer. Sometimes as you work with a shot, you'll feel like one or two colors are problematic.
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